Catalogue information | Bodleian filmstrips | Image captions | Image quality | Image sizes
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©Source: Roll 389.3 frame 1 Small | Medium | Large p. 113 (detail) Paradiso, Canto I. Dante and Beatrice ascend towards the sun. |
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![]() Source: Roll 389.3 frame 2 Small | Medium | Large p. 114 (detail) Paradiso, Canto I. Beatrice leading Dante. |
©Source: Roll 389.3 frame 3 Small | Medium | Large p. 115 (detail) Paradiso, Canto II. Dante and Beatrice observe the moon and Cancer. |
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![]() Source: Roll 389.3 frame 4 Small | Medium | Large p. 116 (detail) Paradiso, Canto II. Beatrice shows Dante three mirrors. |
©Source: Roll 389.3 frame 5 Small | Medium | Large p. 117 (detail) Paradiso, Canto III. Beatrice leads Dante to Piccarda and Costanza, who are followed by other souls. |
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![]() Source: Roll 389.3 frame 6 Small | Medium | Large p. 118 (detail) Paradiso, Canto III. Costanza and other souls listen as Piccarda speaks to Dante; Beatrice. |
©Source: Roll 389.3 frame 7 Small | Medium | Large p. 119 (detail) Paradiso, Canto IV. Dante and Beatrice conversing. |
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![]() Source: Roll 389.3 frame 8 Small | Medium | Large p. 120 (detail) Paradiso, Canto IV. Dante and Beatrice conversing. |
©Source: Roll 389.3 frame 9 Small | Medium | Large p. 121 (detail) Paradiso, Canto V. Dante and Beatrice. |
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![]() Source: Roll 389.3 frame 10 Small | Medium | Large p. 122 (detail) Paradiso, Canto V. Beatrice, behind Dante, looks back to Mercury, who is seated beside a star and his domiciles Gemini and Virgo. |
©Source: Roll 389.3 frame 11 Small | Medium | Large p. 123 (detail) Paradiso, Canto VI. Justinian; souls and Romeo. |
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![]() Source: Roll 389.3 frame 12 Small | Medium | Large p. 124 (detail) Paradiso, Canto VI. Souls behind Justinian, who is praying; souls with Romeo; Dante. |
©Source: Roll 389.3 frame 13 Small | Medium | Large p. 125 (detail) Paradiso, Canto VII. Dante listens to Beatrice. |
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![]() Source: Roll 389.3 frame 14 Small | Medium | Large p. 126 (detail) Paradiso, Canto VIII. Venus with Taurus and Libra; Dante and Beatrice conversing. |
©Source: Roll 389.3 frame 15 Small | Medium | Large p. 127 (detail) Paradiso, Canto VIII. Charles Martel with a group of souls. |
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![]() Source: Roll 389.3 frame 16 Small | Medium | Large p. 128 (detail) Paradiso, Canto VIII. Dante talks to Charles Martel, who is followed by a group of souls; Beatrice. |
©Source: Roll 389.3 frame 17 Small | Medium | Large p. 129 (detail) Paradiso, Canto IX. Dante and Beatrice with Cunizza, who is followed by a group of souls. |
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![]() Source: Roll 389.3 frame 18 Small | Medium | Large p. 130 (detail) Paradiso, Canto IX. Souls follow Rehab; Dante talks to Folco; Beatrice. |
©Source: Roll 389.3 frame 19 Small | Medium | Large p. 131 (detail) Paradiso, Canto XVI. Beatrice and Dante before Cacciaguida (figures cut out but identified by inscription) followed by souls. |
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![]() Source: Roll 389.3 frame 20 Small | Medium | Large p. 132 (detail) Paradiso, Canto XVI. A group of souls follow Cacciaguida (figures cut out but identified by inscription) who is faced by Dante and Beatrice. |
©Source: Roll 389.3 frame 21 Small | Medium | Large p. 133 (detail) Paradiso, Canto XVII. Cacciaguida, followed by a group of souls beside Dante and Beatrice. |
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![]() Source: Roll 389.3 frame 22 Small | Medium | Large p. 134 (detail) Paradiso, Canto XVII. Cacciaguida, followed by souls, talks to Dante; Beatrice. |
©Source: Roll 389.3 frame 23 Small | Medium | Large p. 135 (detail) Paradiso, Canto XVIII. Part of the cross of warriors which Cacciaguida shows Dante; Beatrice. |
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![]() Source: Roll 389.3 frame 24 Small | Medium | Large p. 136 (detail) Paradiso, Canto XVIII. Sagittarius and Pisces beside Jupiter; Dante and Beatrice look at DILIGETE formed by heads. |
©Source: Roll 389.3 frame 25 Small | Medium | Large p. 137 (detail) Paradiso, Canto XX. The eagle composed of just rulers. |
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![]() Source: Roll 389.3 frame 26 Small | Medium | Large p. 138 (detail) Paradiso, Canto XX. Dante talks to the just ruler within the eagle; Beatrice; Dante. |
©Source: Roll 389.3 frame 27 Small | Medium | Large p. 139 (detail) Paradiso, Canto XXI. St. Peter Damian at the foot of the stairs, which souls ascend and descend; Saturn on horseback swinging club; a star, Aquarius and Capricornus. |
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![]() Source: Roll 389.3 frame 28 Small | Medium | Large p. 140 (detail) Paradiso, Canto XXI. Souls ascending and descending the stairs; St. Peter Damian talks to Dante; Beatrice. |
©Source: Roll 389.3 frame 29 Small | Medium | Large p. 141 (detail) Paradiso, Canto XXII. Gemini; Dante and Beatrice look down at the seven planets; Dante and Beatrice conversing. |
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![]() Source: Roll 389.3 frame 30 Small | Medium | Large p. 142 (detail) Paradiso, Canto XXIII. Christ enthroned, blessing; the Virgin and an angel on His right; members of the Church Triumphant praying. |
©Source: Roll 389.3 frame 31 Small | Medium | Large p. 143 (detail) Paradiso, Canto XXIV. Dante and Beatrice before St. Peter, who is followed by the apostles and St. Paul. |
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![]() Source: Roll 389.3 frame 32 Small | Medium | Large p. 144 (detail) Paradiso, Canto XXIV. SS. John and James; St. Peter talks to dante; Beatrice. |
©Source: Roll 389.3 frame 33 Small | Medium | Large p. 145 (detail) Paradiso, Canto XXXII. The Virgin in the centre of the Rose, surrounded by saints and children in the petals; angels and empty thrones. |
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![]() Source: Roll 389.3 frame 34 Small | Medium | Large p. 146 (detail) Paradiso, Canto XXXIII. Dante and St. Bernard kneel before the Vigin enthroned in a mandorla, holding a golden palm, and surrounded by angels. |
©Source: Roll 389.3 frame 35 Small | Medium | Large p. 147 (detail) Paradiso, Canto XXXIII. St. Bernard presents the kneeling Dante to the three-faced Trinity within concentric, radiating bands; angels and stars. |
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![]() Source: Roll 389.3 frame 36 Small | Medium | Large p. 148 (detail) Paradiso, Canto XXXIII. Dante presents his book to Can Grande (?), who is followed by courtiers. |
A full catalogue description of this manuscript is currently being prepared. A draft description is available online.
The 35 mm. filmstrips or slides from which these images are scanned derive mostly from a stock of more than 30,000 images, as published by the Bodleian Library over the last forty years or so.
The Library recommends the filmstrips for private study or teaching purposes, but cannot guarantee that they are of a quality suitable for further reproduction. Details, including a price-list, can be found at the Western manuscripts Photographic Services page.
The captions accompanying the images on this page are taken from handlists prepared over the decades by a number of staff and volunteers to accompany the published filmstrips. They are intended to serve here as a guide to content of the images, but have not been systematically rechecked.
Since most of the images presented here have been scanned from the Library's stock of existing slides and filmstrips; their quality is not always up to the highest standards of new photography. Nonetheless, it is hoped that even the scans from the oldest filmstrips will provide users with a great deal of further material for visual reference, in a convenient form. Users who require higher quality images may order photographs in the normal way: see the Photographic Services page.
Sometimes two or more thumbnails may show the same subject. Such apparent duplicates are included for archival purposes: they will derive from shots of the same item, taken at different times, and may therefore show differences of lighting, colour contrast and general quality.
Image editing software has been used to 'sharpen' the thumbnail images, and to reduce the number of colours each thumbnail contains to a maximum of 256; but no manipulation of the larger images has been performed. Users may use their own imaging software to alter features such as the the brightness, contrast, or colour-balance of the images, for purposes of private study.
The images were scanned from existing 35 mm. transparencies using a Nikon LS-2000 slide scanner, at a resolution of 2,700 dpi, in 24-bit colour, which produces an uncompressed TIFF image file a little under 30MB in size. The shelfmark, folio reference, and copyright notice were then added to each file manually using Adobe Photoshop, and saved as an uncompressed TIFF. A batch process using Photoshop creates the JPEG compressed files.
Note that the apparent quality of the images as viewed on-screen is in part dependant upon the quality of the monitor used to view them, and the apparent colour-values are likewise dependant on whether the monitor has been correctly calibrated, and the ambient lighting conditions of the room.
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The larger versions of each image, respectively 500, 1000, and 1500 pixels along the long side, can be viewed by clicking on the 'Small', 'Medium', and 'Large' links beneath each caption. The images of 500 pixel-length are each about 50-100 KB in size; the 1000 pixel ones about 200-350 KB, and the 1500 pixel ones are about 500-750 KB. We recommend that users start by selecting the smaller sizes before attempting to download the larger ones, since the latter may seem slow to load: this depends on the speed of each user's internet connection and computer system.
MSS. Holkham
'Checklist' information on MSS. Holkham
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c. 1500
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