This shelfmark covers musical manuscripts acquired by the Library at
different times from various sources, and referenced thus from
c. 1887 to the present day.
| Shelfmark |
MS. Mus. c. 60 |
| Summary Catalogue no.
|
Moved to this shelfmark after 1916: description
unpublished, only available in Library
|
| Summary of contents |
Guardbook of miscellaneous musical items, including three
groups of medieval polyphonic fragments: (fols. 79-85) Fragments of motets and
mass settings. || (fols. 86-87) Parts of a Sanctus for 3 voices by Gilles
Binchois. || (fol. 104) Fragments of motets.
|
| Language |
Latin |
| Origin |
English, Worcester (?) || ? || English |
| Date |
13th and 14th centuries || 15th century || 13th
century
|
| Material |
parchment || paper ||
parchment
|
|
|
| Decoration |
| (fols. 79-85) Removed 1942 from the binding of MS. Bodl. 816
(SC 2686). || (fols. 86-87) Removed 1952 from the
binding of [pr.] Auct. 4 Q 5.46 (Bartholomaeus Sibylla, [Strassburg] 1499). ||
(fol. 104) --.
|
|
|
|
|
| Bibliography |
| 1998 |
|
| Cited in more than one article in Ernest H. Sanders,
French and English polyphony of the 13th
and 14th centuries: style and notation [reprinted articles]
(Variorum Collected Studies Series CS637), Aldershot, etc.: Ashgate,
1998, Articles I, p. 31; II, pp. 7, 8, 24, 27, 41
|
|
| 1989 |
|
| Peter Wright, The related parts of Trent,
Museo Provinciale d'Arte, MSS 87 (1374) and 92 (1379): a palaeographical
and text-critical study, New York & London: Garland Publishing
Inc., 1989, pp. 43, 167, 185, 237, 243, 288, 296-301
|
|
| Shelfmark |
MS. Mus. d. 143 |
| Summary Catalogue no.
|
30645 |
| Summary of contents |
Two imperfect leaves containing polyphonic motets for three
voices (fols. 1-2). || Four leaves containing Galliardo
quadrans and John Dowland's Almayne, for
keyboard (fols. 3-6).
|
| Language |
Latin and French |
| Date |
c. 1380 || 17th century,
first half
|
| Material |
parchment ||
paper
|
|
|
| Images |
| Catalogue image |
Vol. 5, p. 860 |
| Catalogue image |
Vol. 5, p. 861 |
|
|
| Bibliography |
| 1999 |
|
| Ruth J. Dean (with Maureen B. M. Boulton),
Anglo-Norman literature: a guide to texts
and manuscripts (Anglo-Norman Text Society, Occasional
Publications Series, No. 3), London 1999, no. 761
Bodleian shelfmark: BDH = R.
|
|
| 1998 |
|
| Ernest H. Sanders, 'Cantilena and discant in 14th-century English
polyphony', first published 1965, reprinted in his collected articles,
French and English polyphony of the 13th and 14th
centuries: style and notation [reprinted articles] (Variorum
Collected Studies Series CS637), Aldershot, etc.: Ashgate,
1998, Article II, pp. 31, 36
|
|
| Shelfmark |
MS. Mus. e. 1, MS. Mus. e. 2, MS. Mus. e. 3, MS. Mus. e. 4, MS. Mus. e. 5 |
| Summary Catalogue no.
|
29582, 29583, 29584, 29585, 29586 |
| Summary of contents |
'The Sadler Partbooks': sacred motets by John Taverner,
Robert Whyte, Thomas Tallis, William Byrd, etc.
|
| Language |
English and Latin |
| Origin |
English |
| Date |
c. 1585
|
| Material |
paper |
|
|
| Decoration |
| Good borders, initials. Made for, and probably by, John Sadler,
with his devices, 1585. (P&A iii. 1202)
|
|
|
|
|
| Images |
| Catalogue image |
Vol. 5, p. 649 |
| Catalogue image |
Vol. 5, p. 650 |