Introduction
A
Reviews of films distributed by major distributors,
1936-68
B
Film reviews for other distributors,
1936-67
C
Other papers,
1935-76
| Abstract: Film reviews produced by the McCarthy Agency 1936-68, with some other papers 1935-76 |
Harold McCarthy was born on 28th October 1892 in Hackney, North London, the youngest of four brothers and three sisters. He left school at 15 and worked in Fleet Street on several publications.
In 1916, in company with his older brother Charles, he volunteered for the Honourable Artillery Company and trained as a gunner. In France he was the lead driver of a six horse 25 pounder gun team, serving at Ypres and other battles with the rank of Bombadier. When the war ended, he was sent to Germany with the Army of Occupation until he was demobbed in 1920.
Back in civilian life McCarthy started work with the Bioscope, a film trade paper. In 1922 he married May Greening, also from Hackney, and they eventually settled in Finchley. They had two sons. Harold McCarthy was made Circulation Manager of the Bioscope in 1927, but the magazine did not survive the depression and it closed in 1932 leaving him unemployed.
With his knowledge of the film business, McCarthy identified the need for cinema owners to have independent assessments of the numerous films available, so he toured the country offering such a service and started to supply reports. From this beginning he took an office at 32 Shaftesbury Avenue, at the heart of the film trade, and also took on the totally reliable Miss Violet Worth as his secretary. She steadfastly remained with him until they both retired in 1968.
The business thrived and peaked just after the second world war when the number of independent cinema owners was at its height. The clientele consisted not only of cinemas in the UK and Eire, but also India, Pakistan and a few African countries. McCarthy's output was very extensive as he saw all films from the major blockbusters to the second rate ‘B’ pictures and quite often saw three or even four films in a day. He averaged six films a week, 52 weeks of the year.
With the post-war boom in the cinema, the big cinema chains started to acquire premises from independent establishments. By the start of the 1950s McCarthy's clientele was in decline and the trend continued, accelerated by the advent of television. In 1962 the lease on the Shaftesbuy Avenue premises expired and the building was redeveloped, so McCarthy took an office in Whitfield Street until he decided to call it a day in 1968.
Harold McCarthy was known for his dry sense of humour and for his brevity on the telephone but never spoke about himself. He was always a gardener, being particularly fond of chrysanthemums and was vice-chairman of the local society. He died on 26 July 1970. (From information supplied by Brian McCarthy.)
The vast bulk of the papers comprises typescript reviews produced by McCarthy. There are a few other film-related papers found with, but not directly connected to the reviews.
Oxford, Bodleian Library [followed by shelfmark and folio or page reference, e.g. MS. Eng. d. 3785, fols. 1-2].
| British Lion,
1936-44 Shelfmark: MS. Eng. d. 3785 Extent: 303 leaves |
| British Lion,
1945-64 Shelfmark: MS. Eng. d. 3786 Extent: 278 leaves |
| Columbia,
1936-47, 1950, 1954-5, 1960,
1968 Shelfmark: MS. Eng. d. 3787 Extent: 266 leaves |
| General Film Distributors,
1937-49 Shelfmark: MS. Eng. d. 3788 Extent: 279 leaves |
| General Film Distributors (GFD),
1949-55 Shelfmark: MS. Eng. d. 3789 Extent: 322 leaves |
| Metro-Goldwyn-Mayer (MGM),
1936-50 Shelfmark: MS. Eng. d. 3790 Extent: 355 leaves |
| Metro-Goldwyn-Mayer (MGM),
1951-68 Shelfmark: MS. Eng. d. 3791 Extent: 385 leaves |
| Paramount,
1936-47 Shelfmark: MS. Eng. d. 3792 Extent: 487 leaves |
| Paramount,
1948-68 Shelfmark: MS. Eng. d. 3793 Extent: 383 leaves |
| Pathé,
1941-9 Shelfmark: MS. Eng. d. 3794 Extent: 266 leaves |
| Associated British-Pathé,
1949-59 Shelfmark: MS. Eng. d. 3795 Extent: 378 leaves |
| Radio Pictures,
1936-45 Shelfmark: MS. Eng. d. 3796 Extent: 390 leaves |
| Radio Pictures,
1946-58 Shelfmark: MS. Eng. d. 3797 Extent: 298 leaves |
| J. Arthur Rank Film Distributors,
1955-68 Shelfmark: MS. Eng. d. 3798 Extent: 335 leaves Scope and Content: Initially (1955-7) described as JARFID, thereafter as Rank. |
| 20th Century Fox,
1936-50 Shelfmark: MS. Eng. d. 3799 Extent: 596 leaves |
| 20th Century Fox,
1951-68 Shelfmark: MS. Eng. d. 3800 Extent: 418 leaves |
| United Artists,
1936-45, 1950, 1955-68 Shelfmark: MS. Eng. d. 3801 Extent: 328 leaves |
| Warner Bros.,
1936-48 Shelfmark: MS. Eng. d. 3802 Extent: 375 leaves |
| Warner Bros.,
1949-59 Shelfmark: MS. Eng. d. 3803 Extent: 274 leaves |
| Warner-Pathé Distributors,
1959-68 Shelfmark: MS. Eng. d. 3804 Extent: 290 leaves |
| Distributors A Shelfmark: MS. Eng. d. 3805 Extent: 462 leaves Scope and Content: Comprises reviews of films distributed by
|
| Distributors B-C Shelfmark: MS. Eng. d. 3806 Extent: 395 leaves Scope and Content: Comprises reviews of films distributed by
|
| Distributors D-E Shelfmark: MS. Eng. d. 3807 Extent: 400 leaves Scope and Content: Comprises reviews of films distributed by
|
| Distributors F-G Shelfmark: MS. Eng. d. 3808 Extent: 526 leaves Scope and Content: Comprises reviews of films distributed by
|
| Distributors H-P Shelfmark: MS. Eng. d. 3809 Extent: 327 leaves Scope and Content: Comprises reviews of films distributed by
|
| Distributors R-W Shelfmark: MS. Eng. d. 3810 Extent: 201 leaves Scope and Content: Comprises reviews of films distributed by
|
Miscellaneous papers found with the reviews.
| Miscellaneous papers,
1935-76 Shelfmark: MS. Eng. c. 7387 Extent: 40 leaves Scope and Content: Comprises
|